40 Books In: What I Wish I Knew at the Start

March 28, 2024 | 6 min read

 

Jayce Carter has written more than 40 books and grown a ravenous reader base for her paranormal romance novels.

If the phrase "40 books" leaves you slack-jawed and speechless, you're not alone.

Jayce drafts her work on Freewrite for the ultimate distraction-free writing experience, but what else does she do to keep churning out fantastic fiction? Let's find out. 

 

Let's start with: 40 books. Wow. How in the world did you do it?

I once had a mentor who told me to write 1,000 words every day. He even did this through the birth of children, through marriage and divorce and illness, never missing a day. I can’t claim to be that devoted — I have missed days, after all — but that mindset has really helped me to write daily.

I’ve found the more it becomes routine, the less I have to rely on motivation or self-discipline. Even if I only write a handful of words, writing anything helps to keep that momentum going.

 

What does your writing routine look like?

Writing is my full-time job, which means I typically work for eight hours a day, five days a week. I don’t spend that full amount of time only drafting, of course, and split it between writing, editing, and administrative work.

I prefer to get my writing done early in the morning, and usually start my day around 5 a.m. — before the kids wake up and decide they need stuff! I save administrative work — marketing, contracts, promos, stuff like that — for later in the day.

My daily word count can be anywhere between 500 and 10,000, but I usually strive for around 5,000 on a good writing day.

Romance readers are notoriously voracious. One stat we've seen is that 78% of romance readers read more than one novel per month, which is way higher than the average. Do you feel pressure to write fast to keep up?

The voracious appetite of romance readers is one of the reasons the genre fits me so well. I draft my stories quickly. This works out perfectly, because if I were in a different genre, I fear reader fatigue would set in.

But no matter how quickly I release books, there will always be a reader asking me when the next is coming. I won’t deny that this can cause a bit of pressure, but I find that motivating rather than stifling. I’m a person who does well with deadlines and pressure. I was that kid who never read a thing in school until five minutes before the test when I frantically thumbed through the pages of the text only to land a good grade somehow.

That sort of pressure helps me to work, honestly, and I appreciate how amazingly obsessive and kind my readers always are.

 

Name 3 concrete techniques you use to write fast. 

1) I love to write in the early morning hours. This is before all the other nonsense of life can get in the way.

2) I'm a huge fan of tracking word counts. I use a bullet journal, and in it I have a full yearly spread so I can track my exact word count on every day. This really helps to keep me motivated to continue writing, since I know I’ll have to look at that number for the rest of the year!

3) I also use word sprints — writing as quickly as I can for a set period of time, and often with other people to hold me accountable.

  

Which Freewrite do you use? 

Is this where I have to out myself? I actually own all three main Freewrite models.

I have my original — named Bob — who has fancy black key caps. I bought him when they first came out. I love him for the back light and he works best at a desk, but I’ve sure hauled him out on the town a time or two.

I bought Traveler when it first came out — named Travis — and have taken him on two cross-country road trips. He is fantastic for the small size and mobility, which is why he always comes on trips with me! I’ve written so many words in hotel rooms or in the back of a car as we drive.

Lastly, my Alpha — aptly named Adam — is my newest writing buddy. I use him the most, now, and keep him by my bed so I can write a bit in the evening while watching trash TV. Adam never judges me.

 

Our CEO's name is Adam. He's going to love this. Which is your favorite?

I can’t say because, to me, they all have very specific uses and I’m glad I have all of them for different reasons.

That's a cop out, but we'll take it.

 

 

Let's talk about your writing routine over the course of 40 books. Has anything changed? 

There is so much! I started out as a stay-at-home mom who wrote by setting my Freewrite on top of my washing machine in the kitchen as I took care of my kids. I would jot down a few hundred words sitting in the car while I waited for my kids during school pick-up.

Now, however, I have my own office — a desk is much nicer than a washing machine, as it turns out. My kids are going into high school, which means I get to focus for hours a day on my work in a way that wasn’t possible before.

Having that extra time to focus is nice, of course, but the truth is that I sometimes miss the chaos of before.

Writing that first book is special. Everyone is a bit naïve about how it will go, and I miss that feeling of magic, that enthusiasm at having done something so amazing. By book 40, I’m still proud, of course, but it doesn’t sparkle quite like it did at first.

 

What is the biggest thing you wish you had known while writing book 1 that you know now?

I wish I’d trusted myself more. I spent a lot of years afraid to go for it.

I told myself I needed to learn more, to grow more as a writer, convinced I would reach some point where I was "ready" for it.

Instead, looking back, I realize it was just fear that kept me stagnant. I’d been afraid of hearing "no" from publishers, of failing something that meant so much to me, so I’d just kept practicing, telling myself it was for the best. It felt safer to never try than to risk trying and falling flat on my face.

 

 

What’s your #1 piece of advice for writers looking to be more prolific?

I have two.

1) Set reasonable goals! Too often I see people who aren’t writing at all deciding they’ll write 5,000 words a day, seven days a week. They ignore the realities of their lives, though, and set themselves up for failure. Instead of feeling motivated and proud by what they accomplish, they end up demoralized and defeated from day one when they inevitably can’t meet the unreasonable goal they set.

I’ve found setting lower goals to always be better. If I tell myself I’ll write 100 words, I nearly always write more. The pressure feels less imposing and I get that hit of dopamine from succeeding each time.

So make sure to set goals you can actually achieve and know that you can always set higher goals once it becomes routine!

2) Along that same idea, don’t be too hard on yourself. I’m one of those weird people who love Mondays, but do you know why? Because Monday is the start of a new week. No matter what last week was like, no matter how much or how little I got done, Monday offers me a fresh start. I can decide how thisweek will go.

There are weeks where I don’t get done what I want, where my kids are … well, teenagers, where I end up sick, where nothing goes right and I feel bad about it all. It’s so easy to let that get to us, to think one week defines us, but it doesn’t. We can always start again.

So every Monday I start over. I stop blaming myself for the week before, I stop feeling bad about it, and I just move forward with my plans for thisweek. I think people would be better off if we were all a little kinder to ourselves and saw Mondays as the fresh starts that we deserve!

 

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Jayce Carter lives and writes in the desert of Southern California with her husband and two teenage spawns. She started writing flash fiction and literary pieces but grew to feel there wasn't nearly enough filth on the market. Her mother always told her to be the change she wanted to see in the world … advice her mother now regrets.

Jayce writes spicy reverse-harem stories with female characters who have to learn their own power and take control of their own lives. She prefers paranormal stories for all the other girls who were disappointed when the beast turned into a boring human.

Learn more about Jayce at jaycecarter.com or follow her on Instagram and Facebook.

 

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April 22, 2024 5 min read

By Benjamin Westland

We've all been there — staring at a blank document, not knowing where or how to start.

Ideas bounce around in my head all day long, but as soon as I sit down in front of my draft, they just won't come out because I can't decide on one of the many things in my head.

Embrace randomness as a creative partner and you'll find that, with the right approach and attitude, that uncertainty is an opportunity for exciting twists and fresh ideas in your writing.

I want to show you a tool that has helped me find a way out of these blocked situations and also improve as a writer. All you need are three six-sided dice and some paper. (Of course, if you’re on the move and don’t have any dice with you, any dice-rolling app on your phone will work.)

Writing with dice can help you make unexpected choices in your writing process that can take your creativity in new directions.

Remember, you don't have to write the perfect story in your first draft. It's about capturing ideas before they're gone. So let go of perfectionism and enjoy the creative process.

Meet The Oracle

This approach is based on the idea that we can ask an “oracle” our questions to steer our writing in interesting and inspiring directions. Just as our friends or partners sometimes offer to do when bribed with coffee and cake. In this instance, however, the oracle is the dice.

The dice take on the role of the oracle, answering our questions and relieving us of the burden of thinking too long about a decision.

“But what questions should I ask, and what do I gain from a generic yes/no answer?” you may ask.

The short answer is: it depends…

It depends on the context in which you ask the questions.

It could be anything from the genre, basic considerations about how you want to tell the story, the characters involved, or the tropes and ideas you want to incorporate. Maybe even the different storylines and how they develop.

All of this is the context in which we make narrative decisions. In this exercise, it’s what will inspire our questions.

When you want to know where the story might go based on what you already know, ask the oracle. Don’t overthink it. Instead, introduce chance and see what the oracle says. You never know when the story will take you in new directions.

 

How do I know what the oracle says…?

The general idea is quite simple: you formulate a question that can be answered yes or no, and roll the three six-sided dice. The oracle will answer with the results you see in the table below.

Add up the numbers on the dice and look up the oracle’s answer in the table.

In addition to clear yes/no answers, the Oracle can also give us more nuanced answers: a weakened form (10,11) and an intensified version (3-4, 17-18). 

Furthermore, if you have extra context from the story to add to the question, apply the modifiers in the below table to the sum of your dice.

 

Confusing? Let’s see how it works in writing a scene:

My Question: Is it raining when Isabel leaves the café? (It’s unlikely, it’s a hot day in the story.)

Result: The three dice show: 4, 4, 3 to equal 11. I subtract 1 for “unlikely.” My final answer is 10. (No, but…) 

This simple question alone created a better atmosphere in the scene — and it also gave me some ideas for a later scene in which the approaching summer storm influences the rest of the story.

 

Let's have a look at a longer example: how I use the oracle at the very start of drafting a story.

All I have prepared for this is the dice, my Freewrite, a stack of blank index cards, and a small hourglass.

I use the index cards for lists of things that are relevant to my ideas, sometimes prepared, sometimes made up as I write to let the dice make a decision. One of the lists I created before the first session was a collection of interesting genres that I liked for my next story.

I randomly drew three themes from that list: Victorian, Supernatural, and Soldier.

I already liked this combination, and the first ideas didn’t take long to come. I asked some oracle questions ("Is this set in Victorian times?”, “Is it a haunted house?”, etc.) to help me figure out the basic setting. What I learn is that we are not in Victorian times, but the story takes place in a Victorian villa that is said to be haunted. The villa has been converted into a hotel and has attracted many tourists since the bloody history of the house became known on the internet.

With a few more questions, I learn that the protagonists are guests at the hotel. One of the protagonists has been trying unsuccessfully for years to become famous as an influencer of supernatural phenomena — with little success. He has his best friend with him, who has just finished his studies and has been persuaded to go on a trip. He doesn't believe in ghosts.

That's enough information for me to work with for the setting. I take notes on an index card and ask the oracle where to start. Turns out the two friends have just arrived by train and are making their way through the old town to the villa.

I turn the hourglass and start to write.

The sand runs out as the two protagonists navigate through the hustle and bustle of the town and get lost in the maze of winding streets. The hourglass tells me it's time to interrupt my writing with a random event. I use a combination of oracle questions and spontaneous lists of possibilities that come to mind. Again, I let the dice decide which option to choose.

I find that my protagonists are approached by a merchant and lured into his shop. There, they discover an old object that seems to magically attract them. Cool! The scene has gained a bit more flavor thanks to this visit. I also wonder what the object has to do with anything. I turn the hourglass again and keep writing to find out.

  

 

The dance between predictability and spontaneity is fascinating, and I hope this has given you a small, helpful insight into the oracle approach.

My recommendation is to choose an existing project first and use the oracle at specific points in the writing process. The advantage to this is that you will already know more about the context, and it may be easier to make your first lists of ideas or to know when or how to ask the oracle questions.

If you prefer to start from scratch, take a writing prompt of your choice and brainstorm with the oracle to find a starting point for the first scene.

Happy writing!

--

Ben Westland is a freelance ghostwriter, editor, and author of interactive fiction, bringing a diverse background in computer science, product development, and organizational change. Ben holds a doctoral degree and has authored two scholarly works on knowledge management, as well as various interactive narratives that employ storytelling to enhance organizational training.

Ben is one of the editors of inspiration.garden, an inspirational creativity magazine, and has recently launched storyhaven.online to publish his serial fiction as he explores new narrative forms.

Having lived and researched in Spain and Japan, Ben now draws on his experience to create immersive stories and help others find their creative voice.

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